“Italian Futurism, 1909-1944: Reconstructing the Universe”
Guggenheim Museum, 1071 5th Ave., NYC (at 89th St)
The first comprehensive retrospective of Italian Futurism in a U.S. museum, the exhibition traces the full development of Futurism in Italy, from its inception with F. T. Marinetti’s publication of the Futurist manifesto in 1909 to its demise at the end of World War II. Featuring more than 360 works, including noted paintings and sculptures such as Giacomo Balla’s Paths of Movement + Dynamic Sequences (1913) and Benedetta’s Syntheses of Communications (1933–34), which has never before been presented in America, the exhibition also examines the Futurists’ efforts to refashion everyday life through advertising, architecture, design, fashion, film, music, photography, poetry, and theater.
Gino Severini, Blue Dancer (Ballerina blu), 1912
Futurist Manifesto from 1909 (photo: Suzanne DeChillo/NY Times)
Benedetta Cappa (photo: Suzanne DeChillo/NY Times)
Ardengo Soffici, Simultaneity and Lyrical Chemistry, 1915 (photo: Suzanne DeChillo/NY Times)